Showing posts with label Features. Show all posts
Showing posts with label Features. Show all posts

When Rani bowed before Madhuri

    Rani Mukerji made for a Kodak moment when she prostrated in a 'sashtang namaskar' before dancing diva Madhuri Dixit on the reality show 'Jhalak Dikhhla Jaa 4'. Check out the pic right here.

    Rani admitted she is a self-proclaimed Madhuri Dixit fan after she shook a leg with the 'Dhak dhak' girl on 'Dola re dola' on the show's episode to be aired Monday (December 27).

    Rani came as a special guest along with Vidya Balan to promote their upcoming film 'No One Killed Jessica', releasing Jan 7.

    The two actresses, who have burst the bubble of catfights in Bollywood by being unusually pally with each other, also danced together on 'Ibn-e-batuta'.
    Source URL: http://trendgrafitiinternasional.blogspot.com/search/label/Features
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"Aishwarya is my muse"

    Director Sanjay Leela Bhansali is back with 'Guzaarish'. And he has once again teamed up with Aishwarya Rai in the film and says she is his muse. He also describes her as one of B'wood's timeless actresses.

    "Aishwarya is my muse, my jaan and I get terribly excited when I make a film with her because she is very, very special. Some people are timeless and Aishwarya will be there for another 20 years," Bhansali told reporters today (September 23) at Cinemax in Mumbai, where the first look of 'Guzaarish' was unveiled.

    This is Bhansali's third film with Aishwarya after 'Hum Dil De Chuke Sanam' (1999) and 'Devdas' (2002).

    Aishwarya said: "This was a very special film for us. We are glad to share this special piece of work with you before we reveal it to the rest of the world."

    The director was also all praise for his male lead Hrithik Roshan.

    "I have never enjoyed working with any other actor as much as I have enjoyed working with Hrithik, just for the kind of talent he has, for the kind of person he is," said Bhansali.

    In the film Hrithik Roshan will be seen as a magician, while Aishwarya Rai plays a nurse who is estranged from her husband. The film will reportedly touch on the issue of controversial mercy killings.

    Bhansali has even composed music for the film as he couldn't rely upon anyone to get the right effect. There are eight songs in the film and 12 songs in the album.

    "The reason behind doing the music of the film is that I think I understand the characters and understand most what they would express musically than any other music director. Some deep thoughts are my concern, so whatever little music I knew, it was a sort of experiment. But I am happy with what I have done," said Bhansali.

    Jointly produced by UTV Blink and Sanjay Leela Bhansali, the film hits theatres November 19.
    Source URL: http://trendgrafitiinternasional.blogspot.com/search/label/Features
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Shabana held her b'day bash at a Juhu hotel

    Shabana danced her way into her sixties with a birthday bash held at a Juhu hotel.

    The theme of the party had most of her guests wearing some sort of headgear. While we take a look at who was there, here's what happened at the bash...

    Aishwarya Rai, Abhishek and Jaya Bachchan

    Shabana Azmi and Javed Akhtar.

    Amitabh Bachchan

    Rekha

    Anil Kapoor, Farah Khan and Zeenat Aman

    Rakesh Roshan

    Farhan Akhtar

    Tabu

    Dia Mirza and Vidya Balan

    Jeetendra and Shobha Kapoor

    Shatrughan Sinha

    Baba and Shaukat Azmi

    Naseeruddin Shah and Ratna Pathak

    >> The b'day girl and Jaya Bachchan got heads turning when they grooved to Hindi film hits including the chartbusting Munni Badnaam Hui.

    "People have never known Jaya and me to be dancers. They were shocked to see us dancing to Munni," laughs Shabana.

    >> Zeenat danced to Laila Main laila from Qurbani.

    >>The cake, which had slums on it, was specially ordered by Azmi's hubby Javed who called it Shabana Nagri.
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Urmila in a celebratory mood

    Urmila Matondkar was spotted in a colourful mood while exiting Shabana Azmi's party

    Urmila Matondkar made an appearance at Shabana Azmi's 60th birthday bash at a hotel in Juhu where the actress was spotted leaving the venue post 1.30 am in a celebratory mood.

    Action replay, anyone? Vipul Shah helped Urmila Matondkar out and into the lift at the exit several times.

    Maybe it was at the prospect of meeting her Masoom co-star (Urmila was a child star in the film) or Urmi was generally in a happy mood but the actress appeared to be in great spirits while leaving the party!

    She first emerged out of the lift at the exit with filmmaker Vipul Shah giving her a helping hand. The Rangeela star then decided to go back into the elevator with the Action Replayy producer following suit. After going up and down in the lift several times, the star then decided to step out.


    She waved to onlookers as she stood solo at the exit and then latched on to another guy who led her to her car.

    Still holding on... To whosover wants to help me out!
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'Dabangg' Setting new benchmarks

    Records are meant to be broken and DABANGG is doing just that. It's on a record-breaking spree. Previous records, at practically all centres, have been vanquished. Chulbul Pandey is the new hero and DABANGG, the new blockbuster.

    This isn't the first time Salman Khan has created history. It started with MAINE PYAR KIYA, which brought viewers back to theatres. In hordes. Then HUM AAPKE HAIN KOUN rewrote the rules of the game. Now DABANGG has emerged a monstrous hit. It's the new benchmark for success.

    What makes DABANGG a roaring success? I asked this question to several prominent film-makers [including DABANGG producer Arbaaz Khan] and top notch distributors [read comments below]. First 3 IDIOTS and now DABANGG have opened the eyes of the film fraternity vis-à-vis the volume of business. But, like I said earlier, this is just the beginning. It's the tip of the iceberg.

    Now let's talk economics. DABANGG is an expensive film for two reasons: Presence of an A-list actor [Salman Khan] and high-voltage action scenes. Action films cost more than a love story or family drama. The cost of production of DABANGG works out to approx. Rs. 30 cr., while an additional Rs. 10 cr. was spent on P. & A. That takes the total to Rs. 40 cr. Now add Salman Khan's remuneration [Rs. 15 cr. - official sources have confirmed it] and the final cost stands at Rs. 55 cr.

    The cost - on the higher side - doesn't seem high anymore. For, at the rate DABANGG is faring in the domestic market, the amount should be recovered from India theatrical alone and the returns/price fetched from Overseas, Music Rights, Home Video, Satellite Rights and Tamil & Telugu Remake Rights will only add to the profits. Jab uparwala deta hain, chappar faad ke deta hain.

    VOICES OF TOP LEAGUE DISTRIBUTORS & EXHIBITORS

    "You can't explain the phenomenon. Everybody expected it to be a big weekend, but this big nobody could foretell. If you make an entertaining film, the potential is very high. DABANGG proves it."
    - AMAN GILL

    "Honestly, it's a one-man army called Salman Khan. Also, the film has been brilliantly marketed and the credit goes to Salman again. His acting and promotional skills have resulted in this success."
    - ASHOK AHUJA

    "I think everything has worked for the film. The timing of release, the kind of film it is and most importantly, Salman Khan."
    - MAHENDRA SONI

    "I will cite two factors - music and promotion. After a long time moviegoers are throwing coins and dancing on the songs. Also, hats off to Salman Khan for promoting the film to the optimum."
    - SANJAY CHATAR

    "The credit goes to Salman Khan. It's a one-man show."
    - SANJAY GHAI

    "I can describe DABANGG as a modern SHOLAY as it has all the ingredients for classes as well as masses. It has long legs and I foresee a dream run at the box-office. The Khans are laughing all the way to the bank."
    - SUNIEL WADHWA
    Source URL: http://trendgrafitiinternasional.blogspot.com/search/label/Features
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Salman Khan paints Mother St. Teresa's portrait to celebrate her 100th birth anniversary

    That Salman is a great actor is anybody's guess. That Salman is a great human being, is something that all the recipients of his affection will vouch for, so much so that Salman also has a NGO dedicated to the same cause called as 'Being Human'.

    But Salman being a great painter is something that is proven with each passing day. Yes, you heard it right. Even though he maybe the proverbial 'bad boy' of Bollywood, his paintings say something else! Salman's emotional side can quite clearly be visible from his paintings. Amongst the other 'testimonials', we bring you with yet another Masterpiece of a painting by Sallu. This time, Salman has painted the portrait of Mother Teresa, whose 100th birthday is being planned to be celebrated all over the world this year. As a token of his love and respect to the eternal Mother, Salman has painted this portrait, a picture of which he posted on twitter recently. Needles to say, it's a piece de resistance indeed!
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At the Dhobi Ghaat

    We take a sneak peek

    Kiran Rao's directorial debut Dhobi Ghat is premiering at the Toronto International Film Festival (TIFF). Even though the film's plot has been closely guarded, it recently made its way to the Internet. Here's what to expect from the film.

    Character: Arun
    Played by: Aamir Khan
    Profile: A brooding painter who loves to lose himself in his world of art.

    Character: Shai
    Played by: Monica Dogra
    Profile: An Indian American woman visiting her family in the city. Shai and Arun meet at his exhibition and strike a conversation. She's an affluent investment banker on a sabbatica

    Character: Munna
    Played by: Pratik Babbar
    Profile: He's a young laundry boy with ambitions of being a Bollywood actor. Shai happens to meet Munna and befriend him as he takes her on a journey through his Dhobhi Ghaat. She soon starts photographing him at work and they become closer.
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Preity Zinta and Sridevi lead the Independence Day parade in New York

    As billions of Indians world over celebrated India's 63rd Independence Day yesterday (15th August), our B-town stars were also not far behind.

    The annual Independence Day parade held in New York saw actresses Preity Zinta and Sridevi representing their nation. Amidst thousands of screaming fans, Preity, looking pretty in a pink salwar kameez, performed her Grand Marshal duties. The actress with the million dollar smile flashed her pearly whites as she held the tri-colour aloft. Preity even tweeted, "Felt so proud 2 be Indian at d independence day parade in NYC ! It was d biggest parade ever & d people were awesome!"

    Besides Preity, actress Sridevi was also spotted at the gala parade. The actress, who still has a huge fan following, waved to the cheering crowd amidst loud cheers.

    Surely, this was one gala Independence Day celebration in the Big Apple.
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No one killed Rani Mukherjee

    Have you heard the rumours that Rani Mukherjee has turned into a recluse, that she sees no one anymore? That she is the new Rekha? Aastha Atray Banan set out to meet her on a rainy night and came away startled.

    Mumbai is full of bored jibes about Rani Mukherjee. She is over. She smells of failure. She is too short, too old to work in slick, new Bollywood. She is married to Aditya Chopra. She is just living with him like she did with Govinda. The senior Chopras hate her and she has to clear out whenever they are around. They don't care about her. Alongside snippets about her role in the forthcoming Rajkumar Gupta film, No One Killed Jessica, fly fantastical rumours that she has turned into a Rekha-like figure. Could it be that the girl with the polarising tenor (love it, hate it, deal with it), the caper-loving Babli, the girl who played any number of overwrought, teary good girls has turned into a Garboesque recluse who 'vants' to be alone?

    Rani is certainly not the kind of actress you trip over at Gloria Jeans in Bandra and chat up. A couple of weeks of phone calls are the investment required for an appointment. On the day, there is a tremendous downpour and Rani is late and you wonder. Has her poor run with men sunk her in self-pity? Has Rani succumbed to depression because of failure? Waiting outside in a Mumbai storm can foster any dark, Gothic ideas you might be nurturing. Reality turns out to be rather different.

    In her opulently done Juhu pad, with huge mirrors and vintage rugs, the big, wide trademark smile is in place but Rani Mukherjee is an unnerving presence. The warm hazel eyes are steely enough to make you squirm a little in your seat. The cruel tabloids may be dying to feature her in the 'where are they now' section but Rani's aura seems to have magnified several fold. Could it be that she has grown?

    At 32, she looks better than she ever has. Yoga has made her slender. Dressed in a short skirt and minimal makeup, she retains a regal air. Lauren Bacall once said, "I am not a has-been. I am a will-be." Rani would approve of Bacall's style. It is unlikely she has read the quote though. She doesn't read, she says. Unlike several young ladies who manufacture reputations as frenetic readers and think that Jane Austen was a Victorian and thinks Omair Ahmed is a medieval poet, Rani says flatly that she does not read. 'I don't read much - I have an allergy to the smell of books. Really!'

    Rani Mukherjee Rani makes these revelations but this is no invitation to get closer. You are always painfully aware of the Lakshman Rekha around her, one she will never cross and you better not even try to. She has no desire to be thought of as Everywoman. As she makes clear when you gird your loins and ask her about the rumours that she has turned into a hermit. She launches into a surprising and convincing discourse on the nature of fame and how it has changed in the 15 years that she has been in Bollywood. "I blame it on Twitter. Everyone has become so accessible. Today, stars function and manage themselves very differently. They chart down everything they do daily. They give stories about themselves to the press and even about other stars! There are stories about stars buying a new phone, stars fainting... when did this all become news?" she says part resigned, part disgusted.

    "When I started, things were done differently and film journalism was not about churning out tabloid titbits. To me, being exclusive and being mysterious is what makes a star. I guess that's why I haven't changed at all." She rarely calls herself a heroine, an actress or even the now-popular actor - only star.

    UP, DOWN, ROUND ABOUT
    Even committed Rani haters would find it hard to deny her star quotient. She arrived with Raja Ki Aayegi Baraat, but got noticed opposite Aamir Khan in Ghulam (1998). Her breakthrough moment came when she bagged Kuch Kuch Hota Hai opposite her now close friend Shah Rukh Khan, directed by another close friend Karan Johar. (She once described Shah Rukh as the best thing that ever happened to heroines.) With Sanjay Leela Bhansali's Black and Mani Ratnam's Yuva, Rani was once at the top of the Bollywood hill. But fame has been fickle. Despite her talent and the much sought-after girl-next-door vibe, things started going downhill soon after.

    Heckled at by the press and critics, her alleged love affairs with the much-married Govinda and then the much-married Aditya Chopra, added fuel to the fire. Rani remained quiet through it all. And hence began a different rumour mill, which asked why (like Chopra whom only the shadow knows) Rani was never seen in public?

    Sipping hot water out of a mug which has the phrase 'drama queen' in big, black letters, Rani looks stoic when asked why she has not cleared the air. "I possibly couldn't have given a clarification every week. It's not in my nature to call up a journalist and say, 'why did you say this about me'. They questioned my character and that really bothered me. I am sure directors got turned off and may have not offered me movies. When I get married, I will tell everyone," she says.

    So she is not a recluse but who are her friends in the industry? The girl next door who has acted in some of the soppiest, why-can't-we-all-get-along movies of the decade, answers, "Friendship is a complex word. I can only tell you who my real friends are when I am old and my children have left me. The people who will spend time with me then will be my true friends." As for now, there is her family whom she shares this house with.

    Rani Mukherjee Filmmakers who have worked with her, like Kunal Kohli, vouch that Rani has always been reticent and seriously invested in her family. Her Lakshman Rekha is not a new phenomenon but it just suits the new 'loser' narrative to make it seem so. At some point in the conversation, she says, "When you are on the top, people want to bring you down. And they will say anything to do so. But I believe in karma, and it will all come back to them." This is the same cosmic and vengeful balancing of scales that Rani's detractors have also been wishing for her. Well-known film journalist Khalid Mohamed says, "She became too uppity after she got famous and that led to her downfall. I know a co-star of hers who told me that Rani started telling him 'how to act'. But see, she came tumbling down. You should not let fame get to your head." Others are more compassionate and a little more logical. Rauf Ahmed, the first journalist whom Rani gave her first interview to, speaks of her fondly and adds, "The media is cruel. Even if you mess up once, they take you down badly. And then the whole Aditya Chopra rumour hurt her. And she is so talented, that's what makes this so sad."

    But "sadness" is not an emotion Rani subscribes to. Instead, you see a small, slightly injured but visibly annoyed human being, who is not going to give her detractors the satisfaction of seeing her retreat without a fight. "I don't need to sign many movies just to prove I exist, even though this may be the worst time in my career. I don't need to go to all social events - I go if I am really needed; if someone just sends me a message on my phone, why will I go? I have done my time doing that. But there's no limit to what I can do."

    AND STRAIGHT AHEAD
    In Rajkumar Gupta's No One Killed Jessica, a film inspired by the Jessica Lal case, Rani plays an investigative television journalist. Would she do a meaty role in a movie even if it wasn't the lead? In an industry where actors prattle off practised, meaningless answers about meaningful roles, Rani makes it clear that she is not interested in crumbs. She says definitively, as if she has it all planned, "No way. I will always be the star in a movie I am in. I'd love to do a movie with an ensemble cast, but a star always is the star. Whatever role I would do would become the lead, right?"

    And that's another reason why it's unnerving to sit across Rani. It's because the coy, politically correct Rani we got so used to hearing about, has metamorphosed into a grownup. The girl who has made a career of being adorable, is no longer interested in pleasing people. Today, even though she has just one release lined up, she is unfazed. But now that Rani has stopped playing cute, can she make a career of it?
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I wasn't topless: Mallika Sherawat

    With her much-hyped film “Hisss” up for release, a couple of strong Hollywood and Bollywood friendships to boast about, and a chance to pair opposite the Big B in a forthcoming Hindi flick, dusky beauty Mallika Sherawat has all the reasons to smile. She gets talking on all that makes her life livelier...

    On “Hisss”
    It’s such an incredible movie. People say it’s ground-breaking in many ways... Bollywood’s first FX creature-feature, directed by Jennifer Lynch, the daughter of a legendary Hollywood director David Lynch, about India’s ancient superhero, the Nagin! The Hollywood FX takes a little longer to look really good. But, I’m confident our snake looks as good, if not better, than the snakes in “Prince of Persia” and “Clash of the Titans”!

    Influenced, Not inspired!
    Nagin films are a rich tradition anywhere where Hinduism and Buddhism has travelled. Jennifer Lynch and the creative team looked at some of the previous films to make sure they would come up with new ideas for a more modern, global vision of the popular legend. The Vedic scriptures are very much a part of the film. The director even visited the snake temple at Nagercoil. But, at the same time, she also hung out with the herpetologists at the snake park in Chennai.

    An experience of a lifetime
    I had to shoot sometimes for 14 hours a day in a full-bodied snake suit with tail extensions, hair extensions, snake eye contact lenses... without even visiting the ladies’ room at my convenience! Tough days included lying in the mud, half-naked in the jungles of Kerala where it’s practically raining leeches, to running around a Mumbai market for the big chase scene, doing stunts in a burka. It’s been a tough journey. Nevertheless, interesting and enriching!

    Grabbing eyeballs!
    The supposedly ‘topless’ scenes in the movies have also generated a hype. I didn’t mean to offend anybody; it was a very artistic shot. But then again, I forgot I was the only one who knew I was clothed underneath in a skin-colored bodysuit! People say we do these things just to promote our movies, but I have lots of fun doing what I do, making movies, promoting them, and living life. Performing with a 15-foot python was one of the best moments of my life!

    If only Hollywood had a Rajini
    I’m a fan of the great Rajinikanth. The man is amazing; he’s blessed in a special way. And yes, if Hollywood had a Rajnikanth Film Festival for a night and the theatre was filled, I bet he’d become a cult-sensation there, too! Rajnikanth is like the Hollywood hero that Hollywood never had!
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Karan Johar's A to Z of Bollywood!

    Bollywood is definitely a great place and I can’t see myself being anywhere else. Being born to a family associated with movies, I learnt the basics at an early age... And knowledge must be spread.

    So here it is... The tongue-in-cheek A to Z of the Bollywood Alphabet as I know it... Some of it may be relevant... Most of it may not... But go through it anyway...

    A for AMITABH BACHCHAN – The undisputed King of Bollywood

    B for BALLS – which some have... some pretend to... and some don’t at all...

    C for CRITICS – who aren’t always qualified but never disqualified!

    D for DIRECTOR – who everyone assumes knows what he is doing.

    E for EGO – which is plenty in the industry but seldom helps.

    F for ******* – Lets not go there... I’ll need more than a column to divulge those details...

    G for GOSSIP – which everyone contributes to yet no one owns up to...

    H for HISTORY – Which if you don’t make it... You are it...

    I for INTERNATIONAL – which everyone has gone but ‘they’ still aren’t aware...

    J for JACK OF ALL TRADES – that would undoubtedly be me...

    K for KAREENA AND KATRINA – who have beauty, brains and blockbusters...

    L for LUST – which most often is mistaken for the other four-letter word beginning with ‘L’...

    M for MOTHER – an element that never goes wrong in movies...

    N for NEW AGE – A word often thrown at the mainstream to give it a complex...

    O for ORGANISATION – An alien concept in most quarters...

    P for PAPARAZZI AND PR – The latest entrants in Bollywood... Celebrities are fashionably in denial about them but cant do a day without them...

    Q for QUEENS – A lot of them around ruling the roost...

    R for RAT RACE – Even if you win you are still a rat... Just a well-paid one!

    S for SHAH RUKH KHAN – Sorry couldn’t resist that one...

    T for TWITTER – where everyone’s talking and no one’s listening

    U for UNIVERSAL HIT – Full page ads proclaim this every Friday... ‘Proclaim’ being the operative word...

    W for WANNABE – a virus that has no vaccination...

    X for ‘EX FACTOR’ – which rules the industry... Everywhere you turn there’s an ex!

    Y for YES MEN – who everyone has around them just to feel ‘objective’...

    Z for Zzzzzzz – a sound I’m hoping you guys aren’t making right now!
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The Bollywood romcom still showing after 15 years (srkthedon.blogspot.com)

    After a summer of under-performing blockbusters, Hollywood bosses might do well to look at the incredible success of India's longest-running film, still packing in cinema-goers after 15 years.

    Boy meets girl, boy loses girl, boy gets girl: a classic recipe for box office bullion

    Released in 1995, Dilwale Dulhania Le Jayenge (The big hearted will take the bride) has become one of the most popular films of all time.

    Having broken all records in terms of number of showings and box office takings, it is now in its 769th week at one of the main cinemas in Mumbai (Bombay), the beating heart of Bollywood.

    And the film continues to play to a nearly full house over weekends at the 1,000-plus-seat Maratha Mandir cinema in the south of the city.

    Spectators stream in in steady numbers for the matinee show of DDLJ - as it is popularly known - at the 52-year-old cinema.

    The best seats cost just 20 rupees (42 US cents; 27 UK pence).

    Manoj Desai, executive director of the cinema, says the movie has been a record-breaking success for multiple reasons.

    The film catapulted Shahrukh Khan to Bollywood megastardom

    "The film is perfect with lovely music and the best Bollywood pair," he says.

    "Also, this theatre is in a strategic location where we get 40% viewing from people who are travelling into or out of Mumbai.

    "This place is for masses, so the rates have been maintained for years. Most importantly the film is important because of its message of love with parents' permission."

    For sheer box office staying power, the movie has even leap-frogged classics such as The Sound of Music and The Guns of Navarone, Mr Desai said.

    'Magical'

    It is a love story, where boy meets girl (both Indians living in London) on a trip to Europe.

    But girl's marriage is already fixed to her father's friend's son in Punjab in India.

    I never get bored of DDLJ - It's like I am in a loving relationship with the film” - Jagjivan Maru (Chief projectionist)

    What follows is an entertaining drama careering between London and Punjab, and in the end, of course, the lovers get together - with the families' blessing.

    The lead pair, Shahrukh Khan and Kajol, became stars overnight.

    The film catapulted Shahrukh Khan, now also known as King Khan, to the top league of stars and he was typecast as a "romantic hero" for years.

    Cinema officials say nearly all seats are taken at weekends and the film sometimes does better than new releases.

    The film is now run on a no-profit, no-loss basis for the theatre as well as for Yash Raj Films, producer of DDLJ.

    Jagjivan Maru, the cinema's chief projectionist, who has been showing this movie since its release, says it is magical.

    "I have seen this movie every day for the last 14 years. That is a record in itself. It is our job to show the film. However, I never get bored of DDLJ.

    "It's like I am in a loving relationship with the film. I still love the last scene when Amrish Puri [who plays father of the actress] slaps Shahrukh Khan."

    A story well told

    Rishi, who had come to see the film, said: "I had seen this film earlier four to five times many years back. I also see it on TV once in while.

    The laughed, they cried, they came back to see it again and again

    "I dropped in with my friends. Maybe I still like the film because I first saw it in my college days and it really worked then. Most of my friends saw the film many times - for the love story, songs and the actors."

    Taran Adarsh, a trade analyst says: "It is not about the records this film has set. Records will follow if there is content.

    "This film has got everything right: music, actors, direction. The movie is still making decent collections despite it being shown on TV very often. It is a story well told."

    The cinema officials plan to keep the film running as long as they can and have planned a big celebration in October 2010 to mark the full 15 years since its release.

    Among other popular features of the movie is its catchphrase "Come, fall in love" - and the audience at Maratha Mandir seemed to have done just that with DDLJ.

     - BBC
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Who's Bollywood's Best Health Guru?

    When Shahrukh Khan first joined Twitter all he could tweet about was healthy food and workout regimes, and while SRK has moved on to other topics for now, B-town beauties Shilpa Shetty and Bipasha Basu have started to share their health tips with fans and followers; so which Bollywood star tweets the best health tips; Shahrukh, Shilpa or Bips? Check out their tweets here and pick your favorite Bollywood health guru!

    When Shahrukh Khan first joined Twitter he was busy tweeting away to anyone who would listen! The King of Bollywood tweeted a lot of advice on how to stay healthy and fit. And who wouldn't like to have a slim body like Shahrukh's? Well, in order to get fit like the My Name is Khan star, just follow these... simple steps!


    "Just so that u know..the only advice that works to get a six pack is the old age one...JUST EAT LESS !!! THATS IT!"

    Sounds easy enough, but we're sure even SRK can't resist a good meal every now and then!

    "then no carbs only protein...damn..finding pieces of chicken in a crowd of rice...and still feeling guilty that i ate biryani...sucked" Just what we thought; everyone needs to eat!

    And one thing that doesn't work for Shahrukh is diet pills. In fact, they seem to have the reverse effect: "fat burners followed..hydroxy this...hydroxy that..started to feel fat eating so many tablets."

    But in the end it looks like the slim actor doesn't diet at all: "no i dont diet..it was just to deter anyone using stuff that proclaims weight loss."

    And if Shahrukh's advice seemed harsh at first, he ends on a high - and hungry - note as he tells everyone to eat what they wish! "sleep when u feel sleepy...eat what u wish...talk what makes u happy and just smile a lot...and of course love urself as u are."

    Bipasha Basu has one of the fittest bodies and B-town so it's no wonder that she recently released a fitness DVD called Love Yourself. And as this star just joined Twitter she is taking the opportunity to share some of her best tips to stay in shape!


    "Unhealthy snacking is equal to extra cals. So eat small healthy meals that will keep you goin thru the day n keep u really activ."

    Sounds easy but what does Bips suggest we start our day with?

    "fit, Ideal Breakfast oats/bran wth skim milk,4 egg whites in ny style, whole wheat toast,juice or cut fruits. yoghurt at times.yum!"

    Sounds yummy indeed! Any last word of wisdom?

    "Lve urself is abt respecting urself and liking evry bit of urself. Being confident in who u r and nt wanting to b a clone."

    Shilpa Shetty is no ugly duckling herself and sure knows how to eat healthy and exercise the right way! She can't help but to share some of her wisdom on Twitter and here's what she has to say:


    "Avoid chewing too much gum as synthenic sweetners like sorbitol hav been linked 2 several gastrointestinal ailments,causes bloating etc"

    No chewing gum, check! So what should we eat according to the always svelte actress?

    "Health tip:choose sweet potatos instead of normal potatos,since they r low in glycemic index.great pre or post work out snack. Todays health tip:must have enough Vitaman C once ure 30(esp women)fresh amla juice shot(available in supermarkets) or 2 oranges."

    So fruits instead of heavy foods; sounds good! What else do we need to think about according to health guru Shilpa?

    "Its not abt being on a perpetual Diet of Denial,Its abt the Lifestyle Choices u make every single day.. Make the Right choice."

    Which Bollywood star is your favorite health guru? Drop us a comment.
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Being a gay icon is flattering: Imran Khan

    Imran Khan in a freewheeling chat with TOI talks about men applying make-up in Bollywood, his love for food and more

    Next time? Noida!
    Imran Khan had a problem on his hands when he came to Delhi recently. He’d posted online that he was going to be in the capital at an event in Vasant Kunj, and that everyone could come and meet him, Sonam Kapoor and Punit Malhotra, his co-star and director from I Hate Luv Storys. He got a reply from someone saying, ‘But I’m in Noida - what do I do?’

    In between getting his make-up and hair done, Imran promised that next time, people, he will come to Noida. But since he was stuck in a hotel room with his stylist putting pancake on his face, we were able to pin him down for a chat with her help. Here are some excerpts:

    Doesn’t make-up make you uncomfortable?
    Discomfort, no - it’s standard part of the thing. I like to keep it as minimal as possible because you can tell when people are wearing make-up on screen.

    Even the male actors?
    No, but at one time they did because at the time the way the lights were, the film was, the lens was, you needed to cover up a lot more.

    And any lip gloss?
    No. My lips are too pink already. People see lip gloss on me as it is, so imagine what’d happen if I actually did wear it!

    You’ve said you have a near perfect body in IHLS.
    No, I don’t. It’s as near as I can get it. When I say near perfect, that’s what I mean - as near to perfect as I could get it at the time. Maybe in two years, I’ll do even better.

    Do you work out a lot?
    I change depending on what I’m doing. Right now I’m not working out at all. As a result of that, I’ve lost a bit of weight. I lose weight if I don’t work out, I have to do that to maintain size. If I don’t work out, I remain very, very thin.

    Lucky!
    Not for guys. IHLS, I think, involved doing the toughest workout that I think I’ve done in my life. That was because of two things - one, a scene where I wake up in the morning without a shirt, and the other, a song where my shirt is open and flying back, and I’m singing to the heavens. I wanted to look as near to perfect as I could for those scenes.

    If you were a girl, you’d have been exhausted and grumpy all the time ...
    I was. I was a very, very grumpy person at that time. I’m big on food ... and at the time, because I was eating utterly tasteless steamed food, I was a very, very grumpy person.

    What sort of food are you big on?
    Anything. Everything. Absolutely everything. I go nuts on Indian food when I’m in Delhi.

    Have you ever gotten mobbed in Delhi?
    No, I’m pretty careful with that. It’s gotten a bit hairy at times while shooting, but you have security so they can keep it under control.

    You can’t just walk into any place and get something you want?
    Nope.

    Except a five star ...
    Yeah, you have to be smart about it. If it’s a short way, and if you quickly walk through it, by the time people register that it’s you, you’re already gone. You gauge situations, take calculated risks.

    It’s never happened that you walked through a street and no one recognised you ...
    No, that you really can’t. For a short while, you can avoid being recognised. It’s a strange thing, like a star aura you can turn on and turn off. I can turn it off and for a long time, people will not notice that I’m there. Or you can actually turn it on and - I can walk into a room and people by themselves just turn around and look. It’s a weird thing, if there is such a thing.

    Anything you miss because of all this visibility?
    I can’t browse anywhere.

    Not even in Mumbai, which is supposed to be less star-struck than Delhi?
    There’s a limit na. I can’t spend an hour browsing somewhere. I can’t just walk into a place not knowing what I want and just look at stuff. Everything needs to be a tactical mission - I need to know what I want, so I’ll pull up, I know where my entry point is, my exit point, and my car will be ready and I’ll get into it and be gone.

    When we asked Sonam about you ragging her about appearing in those ‘deadly numbers’, she was very surprised, and said that Avantika (Imran’s fiancé) is a pretty cool dresser. Have they met?
    Yeah, of course they’ve met. Avantika was there during the shoot in New Zealand.

    You like to have her come along when you’re shooting?
    Yeah, otherwise it gets very lonely.

    Co-actors, directors - they’re not company?
    How much company... At some point, you want someone from home - friends, family. If you’re a heroine, you get your mummy along, I can’t do that because it would be weird.

    Does your mum also think it’d be weird?
    Yeah, it’d be pretty weird.

    You’re not very big on talking about Avantika now, are you?
    I feel there’s not much left to talk about. It was such a grand topic during the promotions of Jaane Tu ... that now I don’t know what’s left to say. People say, so you’re very open about your relationship. Yes, I am. Ab kya?

    But why did you decide to talk about it right from the beginning?
    It’s easier than hiding it. Really, if you’re trying to lie or hide something, everyone knows what’s actually going on.

    Isn’t she bugged that the whole country knows?
    Umm ... er ... she’s never brought that up. I don’t think it bothers her, I’d imagine she’d have told me if it did. Some things you just take as it is. It’s not like we’re hiding from our families.

    How did she take the gay icon thing? How did you take the gay icon thing?
    It’s flattering, but it’s not a big deal. As an actor, you want people to like you. It’s not like, oh my God, suddenly I have gay fans. That means I have fans, no? It doesn’t make me uncomfortable or anything.

    Like having a votebank - and you couldn’t care less who it is ...
    It’s not that you couldn’t care less, you just don’t differentiate. When you have fans, you respect and appreciate them, but you don’t differentiate. It’s not like arrey, now I have fans in China, now I’ve arrived!
    But it must be a little different having gay fans and being a huge hit in China. Yeah, I think it translates into more tickets sold (laughs).

    It was that one particular photo that did it, right?
    Yeah, the one with me lying on my stomach. The entire idea with this photoshoot was to push that look a bit, because that ties into what my character and the film is.

    How does it tie in with a sarcastic cynic who doesn’t believe in love?
    It’s the sexy look. He’s a womaniser, a player. He’s the guy who believes in sex, not love.

    You play a womaniser? Was it aspirational for you - I’d like to play a womaniser someday?
    I thoroughly enjoyed it. I think it might be aspirational for a lot of guys, a lot of guys are gonna watch it and - in the first half - go ‘yes, that’s the way it is!’ It’s probably not a good thing to be in real life, though.
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Karan Johar, a director journey!

    All that reminiscing last week about my father got me nostalgic about another kind of journey; the journey of becoming a director.

    Most filmmakers will say that watching a certain film cemented their desire to make films. For some, it may be a natural, nepotistic calling. For me, it came about it in a rather comical way.

    I was all of 16. I had joined St Xaviers College because I was convinced that advertising was my calling. I remember my first day of junior college vividly. I was wearing jeans and a bright red shirt, tucked in mind you, even though my waistline shouldn’t have allowed for it. I was so thrilled at the prospect of not having to wear a uniform anymore that I went all out. Of course, I was ragged severely for it, but despite that, I went on to settle in quite nicely, even managing to make a few friends along the way. Everything was going as planned, as close to an Archie comic as possible, until the day I went home to be confronted by my weeping mother. She was upset that I had chosen to study arts. According to her, “Boys don’t study arts,” because what kind of a sustainable future would I be able to have with a degree in fine arts? Already traumatised by my father’s choice of profession (and no matter what era we talk about, producing films will always be an uncertain business, a gamble to say the least), and having to bear the realities of the ups and downs that came with it, she understandably didn’t want to see her son embarking on an equally ambivalent track. It should be mentioned here that the Sindhi in her had to somehow find a way to turn one of the men in her life into a businessman. That weepy afternoon went on to change my life in ways I could never have imagined.

    And so I joined HR College, still dressed as brightly as possible, and very studiously began my education in commerce. This time I didn’t get ragged for my clothes, but for a supremely embarrassing acting gig on the TV serial Indradhanush, which was airing at the time. I was playing a stupid fat boy named Dodo, and no one let me live that down. Well, except for Jugal Hansraj, one of my oldest and dearest friends. Jugal had just done an equally embarrassing TV commercial for which he was getting teased to no end, so we stuck together, quite like the geeks in glee club do. It was during those days that Anil Thadani, future exhibitor, distributor, and entrepreneur, reintroduced me to a one Aditya Chopra. I had known Adi as a child, meeting him periodically at Abhishek Bachchan’s birthday parties. At the time, the South Bombay brat in me thought Adi, Uday, Abhishek, Hrithik, and Farhan were these uncool boys who would recite dialogues from films like Kranti, Deewar, and Trishul. Adi on his end thought I was snooty, but somewhere between snobbery and curiosity, we found a common ground in college and went on to become best friends.

    College, and commerce came to an end, and I had decided that my future lay in France. I had completed a course at Alliance Francaise and was determined to spend a year of my life studying and travelling around France. We had paid all the necessary fees and living expenses and I was all set and ready to go. As is usually the case however, destiny it seemed had other plans. Adi called me one night, a night close to my departure. We had discussed earlier on the possibility of him making his first film, and had gone back and forth on the story a little. That night he asked me to assist him. But I was all set to go to France. Why, I asked him, did he think I would want to work on his film instead? He said, “You’re melodramatic and over the top, and you’ve always got a song and dance bursting out of your head. If you’re not a Hindi filmmaker, I don’t know who is.” I’ll never forget those words.

    And so I had a sleepless night. I woke up in the morning, and foretelling as it may have been, asked my father for a year of my life to explore the world of making a film, much like Kajol asking Amrish Puri for a month of her life in Dilwale Dulhania Le Jayenge, my first official film. I was of course a mess on the first day, tripping over tracks and smashing into fans and so Adi wisely felt I was better suited for costumes, and gave me carte blanche to style Shah Rukh Khan as I felt best. Day two came along and Shah Rukh seemed to like a patch I had added to a sweater he was to wear. The patch, mind you, was a last minute fix-it to cover up a hole, but therein, I made another friend. Much like Adi, I suppose he had seen something in me, for it didn’t take him long to tell me, “You should make a film. You’ll be good at it. I’ll be in it.” Kajol, sitting behind him, wrapped up in a shawl pulled her nose out of the book she had been devouring and concurred, “It’ll be fun. I’ll do it too!”

    Of course, it wasn’t for a couple of years till I wrote Kuch Kuch Hota Hai, but somewhere, my future was mapped out for me, and my journey had begun. Was is because of my emotional mother’s worry for our financial future, or Aditya Chopra’s amusement with my personality, Shah Rukh’s fancy for an interesting patch, or just my father’s filmmaking genes that had finally come to the fore? I may never know what made me a filmmaker, but I’ll always know the people who made me, and that, in a nutshell, is the first act of my story.
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"I still don't know how to make a film"

    He has been making movies for almost three decades and is known as a maverick. But Mani Ratnam says every time he starts working on a new film, he has to struggle to find the right way to can the shots.

    "In every film, I go back to square one. When I did my first film, I didn't have formal training, I didn't work under any director. I really didn't know how to make a film," the self-effacing Ratnam, who is gearing up for the release of his multilingual movie 'Raavan' on June 18 said.

    "So I thought, if I make two-three films, I will become an expert and be able to walk through anything. But after 20-odd films, I still don't know how to shoot a film. I still struggle, but the most enjoyable part is not knowing and trying to find something," said the 54-year-old who started his career with the Kannada film 'Pallavi Anu Pallavi' starring Anil Kapoor in 1983.

    His body of work includes landmark Tamil movies like 'Mouna Raagam' (1986), 'Nayagan' (1987), 'Anjali' (1990) and 'Dalapathi' (1991); critically acclaimed Hindi movies 'Yuva' (2004) and 'Guru' (2007) and his trilogy on terrorism - 'Roja' (1992), 'Bombay'(1995) and 'Dil Se' (1998).

    Though he earned rave reviews for his movies, the director never revisits his past work.

    "I don't watch my old films like 'Roja', 'Dil Se' because I only see mistakes. I see five minutes of the film and I am scared I will start finding mistakes in them."

    For the thriller 'Raavan', he has teamed up again with Abhishek after 'Yuva' and 'Guru' and says the young actor is growing amazingly.

    "Every time I worked with him, he had drastically different characters and each time he delivered. He is tremendous to work with. Abhishek is growing with every film. He is growing by leaps and bounds," said the director who dared to give Abhsihek a negative role in 'Yuva' that took the actor's career to new heights.

    "I can only talk about him since 'Yuva' when I first interacted with him. Even then I did not do something very drastic, we just made him play the character without worrying about anything. In this film his character is much larger than life - it needed a bigger portrayal, flamboyance. He has been able to do it much convincingly."

    How difficult was it to shoot the film simultaneously in two languages?

    "It's difficult, you know. It's a huge task. When I am making a film, it's very instinctive, it's not preset. I have to bring the actors there, stage it together, make it comfortable, make it work and then decide how to shoot it. I go a lot by instinct.

    "But when you are doing a film in two languages, you can't go totally by the instinct because once you have finished the shot, you can't move on to the next. You have to do the same thing in the other language."

    The film has been shot simultaneously in Tamil and Hindi at tough locations, including the Athirapally forests in Kerala, Ooty in Tamil Nadu, Jhansi in Uttar Pradesh, Kolkata, and the Malshej Ghats in Maharashtra.

    "As a filmmaker, every tool you get to tell the scene better is important. The geography, the light are big tools used to tell the story. This film is completely set in the outdoor. So if outdoor has got to play a role, you have to make sure it is helping you to tell the story better. The set gives the mood and correct setting to concentrate on the emotions of the characters.

    "The idea is not to make it look tough. When you watch the film, you should not be aware of the film being shot in such tough locations. The idea is that it flows effortlessly."

    Asked which version he enjoyed while filming, Ratnam said: "It isn't easier to make it in Tamil. If it is in Tamil, I hold more reins in my hand. When I make a film in Hindi, I become a little more liberated. I trust the writer a little more. I trust the actor a little more. I make them a little more responsible."
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Bollywood mourns Air India plane crash

    158 people died in the flight that started from Dubai and crashed at Mangalore in India

    Bollywood celebrities went all out today (May 22) to pay homage to the victims of the Mangalore air crash that killed at least 158 people. The Air India Express Boeing 737, flying from Dubai, overshot the runway while landing at Mangalore aiport in Karnataka and crashed into the forest. There were only eight survivors.

    Many celebrities expressed their grief by posting messages on Twitter.

    Priyanka Chopra: "Please pray for the families that have lost the ones they love in this horrific crash. We can't even begin to imagine their pain and sorrow. Also pray for the souls of those who have been cruelly taken away from their families in such a tragic situation. R.I.P. (rest in peace)."

    Shammi Kapoor: "The Air India crash is a very sad happening. My heart goes out to the families of the deceased. Let us pray for the departed souls."

    Amitabh Bachchan: "Feeling terrible. Plane crash! Air India flight from Dubai to Mangalore crashed on landing, overshot runway...so sad...so sad. I wrote about excess and balance on my blog last night.. Is the plane tragedy God's way of balancing ...? Sad and disturbed."

    Karan Johar: "Too upsetting to hear all the news coming in about the crash...thoughts, prayers and strength to all the families...."

    Deepika Padukone: "Just heard about the plane crash in Mangalore...shocking! very sad."

    Riteish Deshmukh: "Shocking and tragic news...my prayers with the families, who have lost loved ones. May god give them strength. R.I.P."

    Neha Dhupia: "Really sad to hear about the plane crash. My prayers with the ones who lost their lives and lots of energy to their family and friends."

    Sunidhi Chauhan: "Just landed in Dhaka and heard about the plane crash...its shocking...God have mercy please."

    Amrita Arora: "Absolutely terrible news about the plane crash... devastating! Let's all pray for the families of the deceased."

    Shreya Ghoshal: "A devastating news. I am in shock. My prayers to the lives lost in this unfortunate plane crash."

    Neelam Kothari: "So tragic and sad! Heart goes out to the ones who lost their loved and dear ones. The people who lost their lives, may their souls rest in peace."

    Arbaaz Khan: "Extremely tragic news of the Mangalore plane crash. My heartfelt condolences to families of the deceased.

    Mandira Bedi: "Shattering news. Very few survivors. My thoughts and prayers for the passengers who have passed away and their family members."

    Vishal Dadlani: "What terrible news to wake up to! I pray that God gives the families, strength and fortitude."

    Sonu Niigaam: "Prayers for the departed souls in the Mangalore air crash. May God give power to their families. Very unfortunate accident."

    Vivek Oberoi: "So sad and heartbreaking to see the news of the Air India plane crash...please take a moment off to pray for those in this tragedy...."

    Madhur Bhandarkar: "R.I.P. People who lost their lives in the air crash today...Very sad and horrible condition...may God give strength to their near and dear ones."

    Uday Chopra: "Really sad about the Air India plane crash in Mangalore."

    Sonam Kapoor: "It's really really devastatingly sad..its shocking and heart wrenching... please pray for the lives lost."

    Amrita Rao: "Sad and shocked...let's pray for the Air India express flight passengers who didn't make it..R.I.P."

    Arshad Warsi: "An Air India plane coming from Dubai to Mangalore has crashed at 6:30 a.m....god bless their souls."

    Sussanne Roshan: "Sending strength and love to all those who have lost their beloved ones, time will heal. Keep the faith.
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Bollywood film gives Avatar a box office scare

    A Bollywood film with no special effects has almost beaten James Cameron's worldwide blockbuster Avatar at the Indian box office.

    The film, My Name is Khan, grossed $US23 million ($AU26 million) on the subcontinent, just behind the $26 million ($AU30 million) earned by Avatar in a lesson for U.S studios on how to compete in the world’s most prolific movie market.

    My Name is Khan tells the story, in Hindi and English, of a Muslim in San Francisco at the time of the September 11 attacks. The production by Fox-Star Studios India Pvt. and two Indian companies is the highest-grossing domestic film this year in India.

    News Corp.’s Twentieth Century Fox - which made Avatar - Walt Disney Co. and Time Warner Inc.’s Warner Bros. are now using local talent to produce Indian-language films as they try to crack a market that sold more than 3.2 billion movie tickets last year - more than double the U.S and Canada combined.

    Ticket sales are expected to grow to 130 billion rupees ($US3 billion) by 2013 from 87.8 billion rupees last year, according to a report by PricewaterhouseCoopers.

    ‘‘Hollywood studios realize that if they want to increase their revenue, they are going to struggle to do that in America,’’ said Mike Ellis, Asia Pacific president for the Motion Picture Association.

    ‘‘Nearly every single studio is already in India. They are definitely here for the long haul.’’

    Triple Hollywood’s output

    India’s film industry generated an estimated 107 billion rupees in revenue in 2008, and that is expected to grow by an average of 11.5 percent annually to 2013, PricewaterhouseCoopers said. Distributors released 1,325 movies, in Hindi and regional languages, in 2008, more than triple Hollywood’s output of 463, according to Netscribes (India) Pvt. Ltd.Admissions in the U.S. and Canada fell to 1.41 billion in 2009 from 1.57 billion in 2002, according to the National Association of Theatre Owners.

    Box-office receipts have risen by an average of about 2 percent annually since 2002 while ticket prices increased 3.7 percent.That’s prompting Hollywood to look to China and India, the world’s fastest-growing major economies.

    China’s economy grew by 11.9 percent in the first quarter compared with a year earlier, yet the government allows only 20 imported films a year.

    India’s economy is expected to expand by 7.2 percent in the year ending March 31, according to a government forecast.

    Sixty foreign films were released in India last year, earning a combined 3.8 billion rupees, according to a report by consulting firm KPMG.

    Rupert Murdoch’s Fox-Star Studios plans to make as many as six Indian language movies a year, said Vijay Singh, chief executive officer.

    65 cent tickets

    My Name is Khan, featuring Indian superstar Shah Rukh Khan, was produced with India’s Dharma Productions Pvt. and Red Chillies Entertainment.The average ticket price in India is 25 rupees (AU65 cents), the PricewaterhouseCoopers report said, while the average U.S. ticket price is $7.50, according to the theater owners association.

    India’s middle class, with an annual disposable income of between $4,380 and $21,890, is expected to swell more than 10-fold to 583 million people by 2025, New York-based consulting firm McKinsey & Co. said in 2007.

    Studios also will benefit from the growing number of screens in India. The first multiplex opened in New Delhi in 1997, and now there are more than 800 in India, the KPMG report said.

    The dominant Hindi-language film industry is called Bollywood, a portmanteau word for Bombay and Hollywood. It released 242 movies last year, an increase from 229 the year before.

    ‘‘We all know the size and potential of Bollywood and the fact that it’s at the forefront of popular culture in India,’’ Singh said. ‘‘Our continuing focus will be to grow Hollywood in India.’’

    Fox’s strategy starts with the perception that it is a filmmaker and not an investment banker paying for local productions, Singh said. The studio is involved from the beginning of the creative process through a film’s distribution.

    ‘‘Our plan in Bollywood is to get into co-production and not cut a big cheque,’’ Singh said. ‘‘We want to be actively involved.’’

    Disney partnered with Yash Raj Films to release its first animated Hindi movie, Roadside Romeo, in 2008.

    Disney said India is one of the largest markets it has invested in for local production.The company also is targeting audiences that speak regional languages such as Tamil and Telegu - a segment that generated box-office receipts of about 15.1 billion rupees, according to PricewaterhouseCoopers.

    In March, Disney announced production of its first film in Telegu. The fantasy adventure, scheduled for release in January, also will be dubbed in Tamil.

    ‘‘Disney is committed toward building a family entertainment brand in India,’’ said Mahesh Samat, managing director of Walt Disney Co. India Pvt.

    ‘‘We will continue to tap into the local creative ecosystem to develop content which resonates with Indian kids and families.’’

    Warner Bros. Pictures India signed deals in 2008 to make three movies with India’s People Tree Films and several regional-language movies with Ocher Studios. The company declined to comment, spokeswoman Deborah Lincoln said in an e- mail.

    For decades, Hollywood tried to pry the market open with blockbusters dubbed in local languages, yet success was fleeting because Indians often don’t understand American culture, humor or slang, Thakkar said.

    ‘‘That experiment didn’t really work,’’ he said. ‘‘If they want to crack the Indian market, they had to become localized.’’
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Happy Birthday Madhuri Dixit!

    Her enigmatic smile makes men go weak in their knees. Her moves make girls to look upon her. Her performance is something that Bollywood screens miss today… Madhuri Dixit is one among those exceptional actresses who couldn’t be replaced by anyone. For such is her magic - unique and distinct.
    Think Madhuri and there are innumerable films and songs which would lit up in one’s mind. One can visualise her first hit song “Ek Do Teen” where she is all glitter and shine in her pink top and colourful skirt. Or her "Humko Aaj Kal Hai" song of 'Sailaab' which gives that occasional thumping beats, making you to get on the floor gradually. Then there is “Dhak Dhak” from ‘Beta’ that brought her the tag Dhak Dhak gal.
    Who can forget her hot designer blouse and toomke of “Didi Tera Devar Deewana” from the blockbuster film ‘Hum Aapke Hain Kaun’? And of course, she became a sensation then with the controversial “Choli Ke Peechhe”song of ‘Khalnayak’. Her song “Mera Piya Ghar Aaya” (Yaarana) became a hit especially among girls who wanted to show-off their dancing skills and at dance competitions.
    Leave alone her dancing style; Madhuri has given some of the memorable films, showcasing her impressive acting talent and winning Filmfare awards all the way. ‘Tezaab’, ‘100 Days’, ‘Sajan’, ‘Dil’, ‘Anjaam’, ‘Dil To Pagal Hai’, ‘Pukar’, ‘Devdas’, ‘Lajja’ – Mrs. Nene has filled the pages of Hindi cinema with some remarkable performances; which has won her way in bagging a Padma Shri.
    Comedy, serious, romance, thriller – she has been successful in presenting the Navrasas efficiently, by doing all types of films. No wonder RGV brought out a film ‘Main Madhuri Dixit Banna Chahti Hoon’ getting inspired from her while MF Hussain gave ‘Gaja Gamini’ when Madhuri had been his muse then.
    It’s her birthday today and the charming actress turns 43. IndiaGlitz extends heart wishes to the fabulous lady of B-town. May she grace the screens soon…
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Mums, listen to your kids: Kajol

    Bollywood has some and then a few more. Yummy mummies, we mean. But we chose the lovely actress Kajol to be TOI’s guest editor for this special Mother’s Day issue.

    Not because she’s acting in Karan Johar’s Stepmom that will release later this year. But because she’s the only actress who twice in her hugely successful career has unselfishly stepped back from the top to gladly accept motherhood.

    The first time after daughter Nysa, Kajol returned in 2006 to win the Filmfare Best Actress Award for Fanaa opposite Aamir Khan. Then this year, just after another stunning performance in My Name Is Khan with her favourite co-star Shah Rukh Khan, Kajol completed Stepmom and settled down to her second baby. It must take some doing. The actress, however, dismissed the putting-career-on-hold and making-a-comeback theory with a toss of her auburn hair.

    “Your career is part of your life, your family is part of your life, and your whole life — your personality — is made of every part put together. It’s upto you to strike the right balance,” she said. “I learned from example. My own mother (the actress Tanuja) always put her family first. Even when she was working, we were her top priority, she gave us quality time — when she was there, she was with us 120 per cent. I’m lucky to have had her. And I hope to be like her...”

    She’s glowing with the early stages of pregnancy, and she’s comfortable with her condition, she made no fuss about the great commute from her home to our office in peak summertime to take the chair for this issue. Dressed casually in a loose white top and black trousers, feet encased in soft slippers, she slipped into the role emphatically... brown eyes flashing with expression, fists thumping the table to make a point. When coffee and sandwiches were placed before her, Kajol’s face lit up. “I’m so pregrant, aren’t I,” she giggled.

    She was unhappy with Mother’s Day, per se. “Mothers are fab and kids bring out the best in women,” she said, “but you can’t relegate your relationship with your mother to just one day in a year. For a child, the mother is God... the mother has the same responsibility to her child as God has to the world. And just as you wake up each morning and worship God whether you’re 14 or 40, you should respect your mother... even when you are grown up, in complete control of your life and are probably looking after her.”

    And she had a word of caution for troubled mothers in today’s society of suicidal children: “They should listen to their kids... a mother’s gift to her kid should be the power of speech. Don’t be impatient. Don’t close yourself to your child by expecting her/him to be what you want them to be. Your message to them should be, ‘I love you for what you are and will support you whether you pass or fail your exams.’ Mothers should also stop to consider what they would do if their kid was suddenly taken away from them today. I would die! Compared to that, you can make make every situation work...”

    There were more tidbits from this mother and mother-to-be even while she discussed work (“I’m a nice boring person, you won’t get gossip on me!”), babies, motherhood, growing up, families (“they teach you and make you who you are”), the need to discipline kids (“spanking is not bad as a means to get attention... it’s not the punishment, that’s much worse, and devious”) and pregnancy itself (“don’t become a mother unless you’re ready, don’t let this decision be thrust on you, because then everybody will suffer... especially your child”).

    Plus, a final word of advice to mothers: “Advice itself is bad, don’t be weighed down by what society says your kid ought to be doing, rely on your own instincts and decisions. As a mother, you know what’s best for your kid, by learning, by instinct, by habit... And, practise what you preach. Your kid learns by watching you. In future, your child takes reference from you.” We had just one question for Kajol, did she subscribe to the public opinion that she was Bollywood’s yummy mummy? “Absolutely,” she declared, giving the Kuch Kuch Hota Hai smile, “I was yummy even before I had my baby!”
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